阅读秘诀：毛笔字不会写，但你要会说啊！|据记载：雅思阅读考过Qin Dynasty的“隶书”，可以跳过文章，直接填答题卡了

中国人吗，肯定知道书法喽！但是，您会写么？大部分人都握过毛笔，也能简单写几个不伤大雅的毛笔字。可是，如果遇见外国基友您想怎么介绍我大天朝的书法呢？记住以下几个词，让你瞬间变成International文-化-人！

篆书 Seal Script
It evolved organically out of the Zhou dynasty script, arising in the Warring State of Qin.
篆体起源于周朝，兴起于战时的秦朝。
And was still widely used for decorative engraving and seals (name chops, or signets) in the Han dynasty。
在汉朝时依然广泛用于装饰性雕刻和印章上。

隶书 Clerical Script
Which evolved in the Warring States period to the Qin dynasty, was dominant in he Han dynasty, and remained in use through the Wei-Jin periods.
隶书起源于展示的秦朝，汉朝时占主导地位，并且一直沿用至魏晋时期。

楷书 Regular Script
is the newest of the Chinese script styles (appearing by the Wei dynasty ca. 200 CE and maturing stylistically around the 7th century), hence most common in modern writings and publications
公元200年出现在魏朝，在公元7世纪形成了固定的风格，并一直沿用至今。

行书 Semi-Cursive Script
1
it is derived from clerical script, and was for a long time after its development in the 1st centuries AD the usual style of handwriting.
Some of the best examples of semi-cursive can be found in the work of Wang Xizhi (321-379) of the Eastern Jin Dynasty.
灵感来自于隶书，在公元1世纪发明以来经过了很长一段时间才被用于手写体。
东晋的王羲之很好的诠释了行书的写法。

草书 Cursive Script
Cursive script is faster to write than other styles, but difficult to read for those unfamiliar with it.
草书比其他字体写起来要快，但是对于不熟悉草书的读者来说读起来就有些困难。
It functions primarily as a kind of shorthand script or calligraphic style.
其主要作用是用于速记的一种笔迹。
People who can read standard or printed forms of Chinese may not be able to comprehend this script at all.
可以阅读标准或印刷体中文的人不一定能全部认出草书。

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TO YOUR IELTS|PTE
In the West, we have adoped the word “calligraphy” to describe Chinese and Japanese writing out of the recognition that there is an aesthetic component inherent in the written characters. The author shows how Chinese and Japanese calligraphy is much more than writing; it must be approached as one would any piece of art. A brief history of Chinese and Japanese calligraphy is explored, including the elements and methods of brushwork and overall creation of the expressions themselves. The article concludes by looking at how calligraphy is a mode of self-discovery and self-development that opens us to a substantial dialogue between cultures and the paths of inner conversation.

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